This paper investigates the death metal band Brujeria, their use of both traditional and contemporary outlaw imagery, and their connection to the narcocorrido, in order to examine the tenacity of the outlaw paradigm as an expression of resistance by subordinate groups in situations of social inequality. It deals with the contemporary figure of the outlaw in connection to the U.S.-Mexico border region, as influenced by outlaw traditions in the area, and as an expression of specific contemporary historical circumstances of that region, including Mexican economic crisis, globalization, and border conflicts surrounding immigration, drug trafficking, and labor.